For several years I visited the borders and border landscapes in a Europe that was forming itself anew – especially Eastern Europe and it's expansion of the Schengen area in 2004. The photographs show direct, invisible, dissolving and newly fortified borders. They show signs of restriction and exclusion, of guarding and control by the military. Places that are decaying and newly constructed checkpoints.
Doris Frohnapfel
Fence and wall at the border checkpoint to Morocco, Ceuta (E), 29.12.2003
Border crossing point seen from Hirschfelde (D), 19.7.2004
Men at the border crossing point, Medyka (PL), 17.4.2004
Man sitting and waiting at the border checkpoint to Morocco, Ceuta (E), 29.12.2003
Doris Frohnapfel
BORDER HORIZONS - Photographs from Europe 2005
Cassette with 78 photographs, inkjet prints on archival matte paper, 32.9 × 43.73 cm
12.600 Euro (Edition: 4 + 2 A.P. )
BORDER HORIZONS - Photographs from Europe 2005
Cassette with 78 photographs, inkjet prints on archival matte paper, 32.9 × 43.73 cm
12.600 Euro (Edition: 4 + 2 A.P. )
The transition from the shore to the settlement behind it. You can see porous, constantly changing, eroding coasts and the rubble brought by people: partly built upon, shaped, forgotten again and left to decay. The settlement, signs, strange fortifications, things left behind bear witness to the arrival in foreign lands, where even surreal events could take place.
Romy Julia Kroppe
Romy Julia Kroppe
Ufer 8
watercolor, acrylic transfer, acrylic on paper, 24 × 30 cm, framed, 2017
620 Euro
Ufer 8
watercolor, acrylic transfer, acrylic on paper, 24 × 30 cm, framed, 2017
620 Euro
Romy Julia Kroppe
Ufer 7
watercolor, acrylic transfer, acrylic on paper, 24 × 30 cm, framed, 2017
620 Euro
Ufer 7
watercolor, acrylic transfer, acrylic on paper, 24 × 30 cm, framed, 2017
620 Euro
There is something the matter with color in this country, or at least in this part of the country, the area where the traditional Chinese landscape painting originates. The atmosphere, which is often moist, misty, makes color merge into a kind of spaciousness. It seems the borders of things slightly evaporate, dissolve into the aura of their surroundings. Just once in a while a dark blue, clear yellow or specific kind of red stands out in this hazy field of connections.
Selma van Panhuis
Selma van Panhuis
Immortal Pointing Way II, 2019
pigment, tri-art & skinglue on cotton, 285 x 150 cm
on request
Immortal Pointing Way II, 2019
pigment, tri-art & skinglue on cotton, 285 x 150 cm
on request
untitled, 2019
monotype on Hahnemühle etching paper, 77 x 52 cm
950 Euro
monotype on Hahnemühle etching paper, 77 x 52 cm
950 Euro
untitled, 2019
monotype on Hahnemühle etching paper, 51 x 38 cm
800 Euro
monotype on Hahnemühle etching paper, 51 x 38 cm
800 Euro
untitled, 2019
monotype on Hahnemühle etching paper, 51 x 38 cm
800 Euro
monotype on Hahnemühle etching paper, 51 x 38 cm
800 Euro
untitled, 2019
monotype on Hahnemühle etching paper, 38 x 25 cm
100 Euro
monotype on Hahnemühle etching paper, 38 x 25 cm
100 Euro
... in the image of water, every reference is lost in a fluid, self-propelled process of never ending movement and expansion.
Renderings are a computationally intensive process of generating images. I replace calculation with experiment, and use this visual medium of planning in an uncontrolled and process-oriented way. The picture has no relation to reality, it is pure attribution.
Renderings are a computationally intensive process of generating images. I replace calculation with experiment, and use this visual medium of planning in an uncontrolled and process-oriented way. The picture has no relation to reality, it is pure attribution.
Timo Hinze
Timo Hinze
Wasser 2.01.2015
Rendering, Inkjet print on paper, 70 × 100 cm, 2015
2.800 Euro
Wasser 2.01.2015
Rendering, Inkjet print on paper, 70 × 100 cm, 2015
2.800 Euro
Timo Hinze
Wasser 25.12.2012
Rendering, Inkjet print on paper, 70 × 100 cm, 2015
2.800 Euro
Wasser 25.12.2012
Rendering, Inkjet print on paper, 70 × 100 cm, 2015
2.800 Euro
Timo Hinze
Wasser 27.08.2015
Rendering, Inkjet print on paper, 70 × 100 cm, 2015
2.800 Euro
Wasser 27.08.2015
Rendering, Inkjet print on paper, 70 × 100 cm, 2015
2.800 Euro
... colors and shapes that appear simple, however, cross our known spatial relationships and figurative properties and refuse to be viewed from the perspective of reality.
Tobias Hild
Tobias Hild
o.T. acrylic on paper, 30 × 40 cm, 2020
900 Euro
o.T. acrylic on paper, 30 × 40 cm, 2020
900 Euro
These acrylic glass objects consist of a combination of transparent, translucent, opaque and light reflecting materials. I see them as light objects without their own light source. The formal appearance of the objects changes depending on the point of observation and due to the interaction with the surrounding light.
Heide Nord
Heide Nord
Kälte ist keine Energie o.T. (popsicle)
selected objects: acrylic glass, film, welding wire, paper, 19 × 4 × 4 cm, 2019
800 Euro
Kälte ist keine Energie o.T. (signal)
selected objects: acrylic glass, film, welding wire, paper, 20 × 4 × 4 cm, 2019
800 Euro
Kälte ist keine Energie o.T. (direction)
selected objects: acrylic glass, pvc, 22 × 20 × 1 cm, 2019
800 Euro
Kälte ist keine Energie o.T. (sun)
selected objects: acrylic glass, film, wood, 20 × 20 × 1 cm, 2019
800 Euro
Kälte ist keine Energie o.T. (constellation)
selected objects: acrylic glass, film, copper wire, 15 × 18 × 2 cm, 2019
800 Euro
Kälte ist keine Energie o.T. (popsicle)
selected objects: acrylic glass, film, welding wire, paper, 19 × 4 × 4 cm, 2019
800 Euro
Kälte ist keine Energie o.T. (signal)
selected objects: acrylic glass, film, welding wire, paper, 20 × 4 × 4 cm, 2019
800 Euro
Kälte ist keine Energie o.T. (direction)
selected objects: acrylic glass, pvc, 22 × 20 × 1 cm, 2019
800 Euro
Kälte ist keine Energie o.T. (sun)
selected objects: acrylic glass, film, wood, 20 × 20 × 1 cm, 2019
800 Euro
Kälte ist keine Energie o.T. (constellation)
selected objects: acrylic glass, film, copper wire, 15 × 18 × 2 cm, 2019
800 Euro
... aimlessly wandering through the neighborhood. Closed windows that allow the green on the inside to melt with the outside. This green, that provides refuge for the outside as it decorates the inside.
Caroline Hake
Caroline Hake
Grün
series of 10 photographs 13 cm × 19,5 cm on A4
290.-€ Fine Art Inkjet-print (Edition: 3 + 1 a.p.)
Grün
series of 10 photographs 13 cm × 19,5 cm on A4
290.-€ Fine Art Inkjet-print (Edition: 3 + 1 a.p.)
In this project I try to visualize what it means to be shut in. Serving time in prison means a continuous rotation of sleep, food, and work activities. It is the routines that shape the days. As a photographer, I bring my gaze into the prison with me. But as someone who’s on the outside of the prison fence, I also have to turn this gaze back on myself.
Verena Winkelmann
SONE 14 analogue photograph, 129 cm × 89 cm, 2017
3300 Euro
3300 Euro
SONE 10 analogue photograph, 73 cm × 51 cm, 2017
1600 Euro
1600 Euro
SONE 11 analogue photograph, 73 cm × 51 cm, 2017
1600 Euro
1600 Euro
The reorganization of domestic dwellings will now hit all levels of our new stay-at-home societies in unpredictable and hopefully exciting and unusual ways. With envelopes full of luck, humanity will survive and find itself surrounded by extraordinary new setups. The human desire for de-cluttering is consolidated into whimsical collages.
Michael Hahn
Michael Hahn
De-Cluttering
series of 9, collage on envelopes, 15 × 23 cm, 2019
each 250 Euro complete series 2.200 Euro
De-Cluttering
series of 9, collage on envelopes, 15 × 23 cm, 2019
each 250 Euro complete series 2.200 Euro
The starting point is personal memories, from which I develop stagings of complex interpersonal relationships. The bodies of the portrayed people become carriers of meaning, posture, gestures, facial expressions and views - to themselves, and the others and the room. The social relationships are shown in the physical presence and the relationship of the characters to each other.
Anna M. Kempe
Anna M. Kempe
Party Hard
aquarelle on paper, 100 × 70 cm, 2020
2.400 Euro
Party Hard
aquarelle on paper, 100 × 70 cm, 2020
2.400 Euro
Anna M. Kempe
o.T.
aquarelle on paper, 100 × 70 cm, 2020
2.400 Euro
o.T.
aquarelle on paper, 100 × 70 cm, 2020
2.400 Euro